YA Library UK Hiatus

15 Feb

As of today YA Library UK is on hiatus due to a death in my family.

Update 15/02/2012: the contest is still open, but it may take longer to select winners and mail prizes.

Helping Teens Lead and Fund Library Projects

13 Feb

Money is in short supply these days. However, teens with a great idea for improvements or events that take place in or related to the library can still apply for money. You can find a list of current sources of funding here. Starbucks Youth Action is offering funding for young people right now. Applications due by 9 AM on 5 March 2012.

If you already work with a small group of teens (a reading group, Teen Advisory Group, or just a bunch of library regulars you’ve gotten to know), you may notice that they have ideas for improving the library. This type of event would be great if it ever happened, they say. That collection of books is deficient, they claim. In many cases you may not have the time, budget, or supporting staff to execute their ideas, even if you know the ideas are strong. The good news is that in many cases, you can help young people implement these ideas themselves. By providing guidance and appropriate advice, you can assist them in creating the teen library service they want to see.

Even in the current economic climate, there is some funding is available to young people leading projects in their local area. The primary criteria of these projects is usually that they be teen-generated and teen-led. Many of them (like 02 Think Big) also expect there to be adult supporters involved. That’s your role! You can also help teens structure and articulate ideas, and assist them by helping them break intimidating aspects of projects or applications into manageable tasks. You’ll act as their supporter: librarian and cheerleader rolled into one.

Premise: The teens you work with have a great idea! They want to host a manga day, or to start a volunteer programme to help younger readers, or to improve the teen space, or something probably much clever than anything I’ve come up with. Now what?

Break the process into five steps:

Get Permission
Brainstorm
Choose Funding Source
Be Realistic and Optimistic
Fill Out the Application

Get Permission

If you need permission for some portion of the project, ensure that you have it. If teens obtain funding to revamp the teen area but your supervisors aren’t keen, that money may never go to fund a great project. “We’ll fund it ourselves!” usually makes a winning argument.

Brainstorm and Choose a Funding Source to Apply To

Take a look at the various funding pots. Is the proposed project a £300, £3000, or £30,000 project? The easiest way to establish this is to guide them through the particulars. This is an area where you’ll definitely be of help, as you most likely have more experience articulating the finer points of a project and drafting budgets. Help them turn general assertions (“we want it to be awesome”) into specifics (“we want a new set of awesome books that cost £200”) through brainstorming.

Be Realistic and Optimistic

Next, take a look at the applications. Maybe the £30,000 project is amazing, but given the needs of the application (that a certain amount of hours be dedicated, for example, or that other funding be secured), the £300 grant is the best to start with. (Again, you can help by demonstrating how the project can be broken into meaningful chunks.)

Complete that Pesky Application Form

Young people need to be able to articulate the following (not necessarily in order of importance!): 1) why the project is important to them; 2) how it will benefit them and others (in the community); 3) how they will deliver the project; 4) what they’ll deliver, when they’ll deliver it by, and how much it costs. The last issue (what/when/cost) doesn’t have to be exact, but it does need to demonstrate some concrete pre-planning. Other considerations – depending on size and scope of the project – might include how they will consult their peers/those benefiting from the project, and how they will evaluate the project.

Your role here is to guide, not to dictate. Allow them to write the proposal. You can help by offering structural hints when they get stuck, editing, and finding helpful reference materials (this last one is especially handy when compiling a rough budget or helping them locate local demographic information). You liaise with staff and supervisors; young people commit their time to the project.

Young people will benefit from the project itself, which will not only empower them but will also boost their CV. I also recommend that you offer volunteer hours (there will be a post about this soon) and recommendation letters to young people who become regularly involved in these types of projects.

The benefit to the library is tremendous: young people will know – or find out – how to reach and benefit other young people in the area. Their projects will help the library build rapport with local teens and the broader community. It also helps support projects that the library wants to develop but couldn’t otherwise fund.

Maybe you’re reading this and thinking, “But the teens in my library aren’t proactive.” Many young people aren’t used to feeling empowered to enact change in their communities. Engage them in a dialogue about improvements they’d like to see in the community. Take their ideas and concerns with respect. Let them know that there are funds (and adults!) who can assist them in achieving these goal. (Of course, you don’t have to embrace every project idea with open arms; “swimming pool in the library” is a good part of a healthy brainstorming session but should probably never grow beyond a daydream. That said, if you do end up building a swimming pool in your library, please tell me, because I’d love to have a swim surrounded by books.)

If you’re reading this and thinking, “great, but I don’t already know the teens in my library,” start reaching out to those already using your service. Introduce yourself, host an event, or reach out to teens in the community. For those who are feelings daunted based on time constraints, look out for an upcoming post about reaching teens in just a few hours every week.

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The YA Library UK Teen Book GIVEAWAY!

9 Feb

To say thank you for your interest in teen library services in the UK – and HOORAY for 100+ email subscribers and 400+ Twitter subscribers – YA Library UK is hosting a giveaway! I will randomly select TWO winners to win a bundle of three new YA novels OR Cool Teen Programs for Under $100 OR Young Adults Deserve the Best: YALSA’s Competencies in Action OR The Ultimate Teen Book Guide (your choice!). (Both winners will receive the prize they select, even if they both choose the same prize.)

Entries to the giveaway close on 2 March.

The contest is only open to residents of the United Kingdom. This is YA Library UK, after all!

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Links Round-Up: On Work Experience, Teen Involvement, and a PRIZE DRAW

9 Feb

When YA Library UK reaches 100 email followers to this site (and, hopefully, 400 Twitter followers!) there will be a prize draw for followers in the UK! So far my ideas are as follow: 1) YALSA’s Cool Teen Programs for Under $100 (plenty of stuff in here that still applies in translation) or 2) a bundle of new YA releases! Or, 3) I could pick several winners for several new YA releases. There’s also 4) Something else (activity packs? Promotional materials?). What do you think? What would you most like to win? Comment, tweet, et cetera. (There are currently 98 email followers, so it’s very close!)

Now back to your regularly scheduled links round-up:

New research suggests work experience reduces the drop-out rate, leads to greater employability of young people.

How to put ‘the “Teen” in Your Teen Space’, a post about getting teens involved and excited about your library’s activities.

In response to The Hunger Games‘ pending release, Springfield-Greene County Library has created Hunger Games website, and a roster of a week’s worth of library activities for teens.

Pinterest is the “rising star of social media”. It’s easy to use, highly visual (like Tumblr!) and worth getting your library involved with while it’s hot.

A new book website called Small Demons finds and lists all the things mentioned in your favourite books: places, people, other books, movies, music, et cetera. The site is still in its nascent stages and doesn’t have many books added yet, but in time it could serve as a great help in planning programmes and displays (for example, I can imagine around a popular book of “books and/or music and/or films enjoyed by the characters”).

This is from 2011 but it’s new to me (and thus maybe to you): Sherman Alexie on why the greatest books for young people are “written in blood”. Alexie writes, “I have yet to receive a letter from a child somehow debilitated by the domestic violence, drug abuse, racism, poverty, sexuality, and murder contained in my book. To the contrary, kids as young as ten have sent me autobiographical letters written in crayon, complete with drawings inspired by my book, that are just as dark, terrifying, and redemptive as anything I’ve ever read.”

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Demonstrating Our Value: Thoughts On the 2012 Project and Beyond

6 Feb

Are libraries dying? American librarian Karen Jensen has set out to prove they’re not by creating the 2012 Project, an ever-growing collection of pictures of teens using libraries. She hopes to have 2,012 photos by the end of this year (click here to see a scrapbook of photos already collected).

Official 2012 Project Promotional PosterMost teen library services advocates (whether librarians or otherwise) spend time and energy trying to communicate the value of teen library services to colleagues and the public. (We also spend time communicating these to teens, but that’s a different story.) It is especially challenging to communicate the value of certain core jobs that appear unglamorous (like stock editing) or considered to effect specific demographics only (home library service).

How do you communicate the value teen library services the value isn’t always quantifiable?

There are always clear PR moves: inviting councillors to teen events, notifying local papers of all that’s on offer for young people. I wonder, however, if sometimes the essence of the service gets lost. Last year I was inspired by Meanwhile, The San Francisco Public Library, which captures some of the more ephemeral benefits of the service. That’s one of the reasons I like the 2012 Project: it’s one thing to be told that teens use our services, and quite another to see photos of happy, engaged teens in the library.

How do you think we can communicate some of the less articulable qualities of our service to teens? What are the best ways that our libraries do this, and what are our biggest blind spots?

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Links Round-Up: University Applications Fall, but Graphic Novels and Teen Events Are Awesome

2 Feb

Don’t forget, Saturday 4 February is National Libraries Day!

University applications set to show slump after tuition fee hike of about 9%. This does include overseas students. I’d be interested in seeing figure for UK students. This is the steepest fall in 30 years.

Read about a week in the life of a secondary school librarian on Big, Friendly Librarian.

Teen Librarian has compiled a list of great graphic novels about the Holocaust.

Photos from a completely amazing Harry Potter-themed party for teens (seems like this could also be used with children, or maybe even put together by teens for children!).

I love this visual list of ideas for a Teen Summer Read programme called “Own the Night” (her teen library Pinterest is also worth a look in). As far as I know there haven’t been any recent summer reading programmes for teens in the UK (anyone know differently? Give a shout in the comments!), but it’s one of my librarian dreams. I do know that Southend Library held one some years ago (through the Reading Agency, I believe) and it was quite a success. There’s certainly potential there.

Wondering what Pinterest is and how you can use it in your library? Read 5 Ways to Use Pinterest in Your Library.

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The Hunger Games Film: Activities and Read-Alikes (A Special Edition of Pop Culture Round-Up)

30 Jan

Hunger Games cover (UK edition)The Hunger Games will be out on the 23rd of March. Already a wildly successful YA trilogy in the US (and popular in the UK, too), the film is bound to create fresh interest in the books. Katniss Everdeen lives in District 12, a poor sector of a dystopian United States called Pan Am. When Katniss’s younger sister is selected as a “tribute” in the yearly state-sponsered teen-on-teen battle royale – the eponymous Hunger Games – Katniss volunteers to take her place, knowing full well that she will probably die in the process.

Film trailer:

Due to the popularity of the books, many American libraries are already hosting Hunger Games events. I would recommend preparing with extra stock – buy plenty of copies of all three books in the and considering events, but holding off until after the film is released, as I suspect many British teens will become fans of the trilogy after they watch the film.

In the meantime, you can read the books yourself and look at the District One Capitol Couture website – a very clever introduction to some of Pan Am’s obsessions.

Read-Alikes

You will probably get requests for more books like The Hunger Games. YALSA put together a list of classic and contemporary dystopian books for teens: The Future Sucks – A Visitor’s Guide to Dystopia. (One addendum to that list: the classic dystopian novel We by Yevgeny Zamyatin.) They have also compiled a short list of post-apocalyptic teen books at Dystopian vs. Post-apocalyptic Teen Books. There is an older list of 50+ dystopian YA books at Bart’s Bookshelf, and a shorter but very recent one compiled by on Wired. Alternately, type “dystopian YA list” into a search engine of your choice in order to yield extensive lists.

Displays and Activities

Tons of ideas for activities and displays. Here are my two favourite lists:
Feed Their Hunger for the Hunger Games from Teen Librarian’s Toolbox and and older (but still very useful) post from Youth Services Corner Hunger Games Party Ideas.

Do you have anything planned to respond to interest in The Hunger Games and dystopian YA?

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Links Round-Up: Cuts and Youth, DIY Your Education, and More

27 Jan

National Libraries Day poster - 4 February 2012What will you be doing for National Libraries Day on February 4th? Here are some suggestions. Does anyone have plans to get local teens involved?

Update on cuts to youth services:

Children’s services bear the brunt of grant cuts, says a new research paper put out by the Joseph Rowntree Foundation. (Thanks Anne Harding for the link – and co-authoring the research.)

Related: cost of illiteracy to UK ‘tops £81bn each year’.

DIY your brain:

Nerdfighters/vlogbrothers John and Hank Green have released Crash Course onto the world. Crash course provides introductions to world history and biology. If you’re not already familiar with him, John Green is also a very popular YA author, and the series will no doubt be popular with teens. Check out the introductory Crash Course video

Speaking of John Green: I Hacked John Green’s Wesbite introduces librarians to (positive) hacking and provides some free tools to use with teens.

Since we’re on the topic of hacking and computers, I recommend Codeyear, a free coding course. It’s offered via the (also free) Codecademy. Why should teens (or librarians) care? Read Douglas Rushkoff on how he’s learning to code – and why you should too. I also recommend Rushkoff’s book Program or be Programmed.

Book and writing competitions:

Secondary school students can enter the Read This! competition to win vouchers for themselves, and an amazing book voucher and author visit for their school! Deadline: 16 March 2012.

The Gentleman Press writing competition for ages 13-21 is open until 31 January 2012.

Young people can enter to become Amnesty International’s young human rights reporter of the year. Deadline: 20 February 2012.

Teen librarians/YA lit:

Poetry inspires YA novelists. This reminds me of a Sylvia Plath-themed session that went over surprisingly well with a group of older teens. I handed out various books of her poetry and The Bell Jar.

Don’t forget to read the January edition of Teen Librarian Monthly!

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The Future of YA Library UK: A Conversation

25 Jan

I used to work at a public library. I don’t anymore. In fact, right now I don’t work in any library at all.*

Last year, the local council cut my (former) library’s budget exponentially. The library was allowed to cut any aspect of its services except one: we couldn’t close any branches. It was decided that meant cutting all of our enquiry desk staff and reallocating them to outreach positions (at a pay cut for those who had been librarians). After minimal training, library assistants were reallocated to the few remaining reference desks.

The local council knew branch closures are such a hot-button issue. They were likely aware that both staff and the public would put up a fight if they closed a branch. So instead, they went for something without a public face: cutting staff essential to providing a quality service.

The cuts were announced around the same time that certain necessary government services went online. The government failed to provide training programmes for those with low or no computer literacy skills, so local council employees referred the baffled and upset to the library with the vague words, “they might be able to help you.” New patrons flocked to the library. Demand increased while staff numbers began to dwindle. It was disheartening and put a tremendous strain on all of us. I had no idea what to do about it, or whether I could do anything at all. In the end I left.

YA Library UK will continue to run, some changes need to be made. This site was created for people who had the enthusiasm to provide teen services in their library, but who faced barriers like inexperience, limited budgets, and staff resistance. People who needed a demonstrable outcome to get real support for teen services, but didn’t have a clue where to start, or any guide to teach them. People who were doing the YA ordering and trying to figure out how to get the books young people actually wanted to read.

In many cases these concerns have become subordinate to cuts and closures. Without a library, a staff, or a budget, how can we provide a service to anyone, let alone teenagers?

I want to hear from you: what are the main challenges you’re facing in your library? Closures? Budget cuts? Staff cuts? If you’re still running a teen library service, what are your challenges there? Budget? Local (dis)interest? Colleagues who laothe teens? In some libraries, I know that many of these issues intersect.

In response to your feedback, I will formulate new directions for YA Library UK that respond more effectively to the current climate in public and school libraries. So please comment below (anonymous commenting is on!), tweet or email me and let me know about the challenges you’re facing.

*If you’re wondering what I’m up to these days, you can visit the updated about page.

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Who’s Reading YA Literature? (Plus Some Thoughts On Collection Development)

20 Jan

A little note: I often use the term “young adult” interchangeably with “teen,” but in this post I’m using “young adult” to refer to those ages 20-25 (or 20-28 or something – any opinions of who still constitutes a “young” adult?).

Has anyone working in a public library noticed the trend of 20-30-somethings, borrowing copies of the latest paranormal romance from the teen zone, borrowing a dystopian YA with nary an excuse (“it’s for… my little brother”)? It looks like Young Adult fiction is now read by at least some… young adults. The most famous online are probably Forever Young Adult – “for YA readers who are a little less Y and a bit more A.”

Teens are reading it too. They’re the target demographic, and they still appear to account for the majority of YA lending. Traditionally teen books have functioned as a bridge for, well, teenagers. Now these books are aimed, or at least read, by both teenagers and young adults.

Perhaps the slight demographic shift has to do with expectations of the place of YA literature. For decades YA lit has been considered a functional bridge between children’s and adult books, a set of books whose level and reading matter was mainly aimed at tweens and young teens to ease them into reading adult books. Ostensibly at some of these books were intended to function as moral primers for the adolescent and adult worlds.

In the last decade the YA market has exploded, and the content – and indeed, audience of the books – has changed. There are now a number of YA titles. The tween books are still there. Moral instruction is still present, but has dropped of the pages of many books in favour of but are books with complex or ambiguous morality. There are more serious topics, and more books aimed primarily at older readers. There are highly controversial books, like Melvin Burgess’s Doing It.

As a result, the demographics are different. Teens are reading these books, but so is an older audience drawn in my the types of stories, plotting, characters, and probably also the serialisation, which urges readers to read them all. Moreover, adaptations of YA books to into films and television has reached an adult audience, too. The explosion of paranormal romance has also changed demographics: some adult Twilight readers move on to YA books of a similar ilk.

Is this a problem? Not necessarily, although it does present library with some challenges. Specifically: how does the presence of this audience inform the way that we buy for our YA collection?

At the library I worked at, we bought based on our understanding of our local demographic. This information came primarily from two sources: 1) direct conversation with patrons and 2) number of loans for a book or author. (There are also other factors, such as how infamous a book has become through media promotion or recent cinematic adaptation; and speculation based on gaps in the collection and our knowledge of the local community.)

I don’t know what percentage of YA loans are actually due to 20+ borrowing (1%? 5%? 20%?). I have noticed that these people don’t hang around in the teen area of the library – they nip in, grab their books, and nip back out again (similar to the way that adults borrowing children’s books behave!). What I do know is that it’s easy to look at borrowing stats and draw conclusions without considering that readers of YA literature and teen users may have divergent interests.

For example, nonfiction is often denied space in teen areas, and many public teen library spaces lack exam books (which would be most useful as “reference only” copies, especially during exam time!). Part of the problem in that nonfiction being offered by book suppliers often seems poorly matched to teen interest: we are offered scads of skinny hardback educational books on the same four topics, but a dearth of up-to-the-minute careers advice, DIY/crafting/how-to books, biographies, et cetera. Lending information is an excellent guideline, and a timesaver, but it’s easy to overlook problems (like whether parts of the collection not lending are up to spec) or demographic nuances.

I don’t think we should stop purchasing YA fiction because of its upswing in popularity and wider demographic. After all, many young teens continue to read some children’s literature alongside YA and adult books. It makes some sense that older teens and young adults might continue the YA habit even as they begin reading more adult literature as well. (Of course, there are also adults who read YA for other reasons – reasons I’ve heard cited include preference of characterisation, plotting, wide variety of certain sub-genres like dystopian literature.) It is important, however, to consider who is doing the reading – and how we choose to target different groups with our collection development and events.

One last word about older teens and young adults: It’s often assumed that young adults have access to books through their university libraries, but this is only true for the third of the population that attends uni. Working young people, NEETs, and young adults who have not gone on to university still have a use for the library’s services.

Who is using your teen/YA collection? Do you think the books have changed, and if so, how? For any YA authors in the audience, what demographics do you imagine writing for? When you meet them, what ages are your fans?

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